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Sedma sila

The New Yorker

The New Yorker is a weekly magazine with a mix of reporting on politics and culture, humor and cartoons, fiction and poetry, and reviews and criti
newyorker.com
New York, United States
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News Bussiness Tech Magazine Culture Books Humor
The New Yorker
yesterday
“The Peace President” Gets Belligerent with Iran and the Pope
After negotiations to end the war failed to produce a deal, Trump imposed a naval blockade to cut off the Islamic Republic’s ability to trade through the
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The New Yorker
yesterday
The Hungarian Election Shows That Even Strongmen Can Lose
Many people in the country had trouble imagining that Viktor Orbán could be defeated. But a philosopher also warned that defeatism can abet authoritar
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The New Yorker
yesterday
Daily Cartoon: Monday, April 13th
A drawing that riffs on the latest news and happenings.
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The New Yorker
yesterday
Briefly Noted Book Reviews
“Safe Passage,” “Cave Mountain,” “See You on the Other Side,” and “Almost Life.”
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The New Yorker
yesterday
Why I Wanted to Keep My Marriage a Secret, by David Sedaris
It’s not that I was embarrassed by Hugh or that I thought someone better might come along. I just shudder when I hear a man say the words “my husband.
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The New Yorker
yesterday
“Apocalypso,” by Dobby Gibson
“I couldn’t finish the article about / short attention spans either, / armed feds in the Wendy’s, / Saturn slowly losing its rings.”
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The New Yorker
yesterday
A Lesson of Vietnam: Getting in Is Easier than Getting Out
The war was sustained by a seductive delusion: that an unwinnable conflict might still be managed into an outcome short of humiliation.
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The New Yorker
yesterday
Ed Solomon’s Family Portrait
The screenwriter’s latest film, “The Christophers,” stars Ian McKellen as a lapsed artist. While gallery-hopping, Solomon reflects on his relationship
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The New Yorker
yesterday
Sandy Liang Puts a Bow on It
The designer will add frills to anything—from Dr. Dre headphones to Gap hoodies. At the Frick’s “Ruffles & Ribbons” exhibit, she confronts the deeper meaning
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The New Yorker
yesterday
The Violence in Vermeer
It is easy to treat the Dutch artist as an agreeable intimist—a transcriber of domestic niceties. But he grew up in a world of war, starvation, and massacres.
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The New Yorker
yesterday
St. Paul Remade Human History. How Did He Do It?
New scholarship reconsiders the apostle who turned a Jewish sect into a world religion—and whose legacy remains contested two millennia later.
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The New Yorker
yesterday
The Return of Family Detention
Under the Trump Administration, thousands of immigrant children have been detained, and many have suffered from medical neglect.
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The New Yorker
yesterday
Noah Kahan Makes an Unlikely Home-Town Hero
In his new songs—and a new documentary—the Vermont singer-songwriter considers how the misery of fame can make you yearn for the place you meant to es
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The New Yorker
yesterday
New Orleans’s Car-Crash Conspiracy
High-speed accidents, crooked lawyers, and poor people desperate for cash—it was the kind of scheme that could have been cooked up only in the Big Eas
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The New Yorker
yesterday
What Wallace Shawn Did Before His “Moth Days”
When the two lead actresses in Shawn’s play called in sick, their understudies scrambled to prep in the dressing room. The stand-ins? Deborah Eisenberg
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The New Yorker
yesterday
Zara Larsson Gets Her Flowers
On the “Midnight Sun” tour, the Swedish artist makes a comeback that feels like a début.
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The New Yorker
yesterday
“Clarion,” by Rae Armantrout
“There are people who don’t hear an internal monologue or private dialogue in their heads.”
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The New Yorker
yesterday
When It Gets Warm . . .
I will wear the perfect amount of sunscreen so that I don’t look like clown-faced Mark Zuckerberg on that surfboard or red-faced Mark Zuckerberg at a Senate
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The New Yorker
yesterday
R. Kikuo Johnson’s “Meet-Cute”
The next generation.
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The New Yorker
yesterday
Letters from Our Readers
Readers respond to E. Tammy Kim’s article about the Consumer Financial Protection Bureau, Nicholas Lemann’s report about the Trump Administration’s attack
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