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Sedma sila

The New Yorker

The New Yorker is a weekly magazine with a mix of reporting on politics and culture, humor and cartoons, fiction and poetry, and reviews and criti
newyorker.com
New York, United States
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News Bussiness Tech Magazine Culture Books Humor
The New Yorker
17h
The Ellison Media Empire Grows Again
After torpedoing Netflix’s bid to buy Warner Bros., Paramount Skydance is poised to have multiple major news organizations under its control.
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The New Yorker
20h
Failed “Finance Bros” Find Success with HBO’s “Industry”
Mickey Down and Konrad Kay, the creators of the financial drama, explain what “finance bros” misunderstand about capitalism’s allure.
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The New Yorker
20h
What Could Go Wrong, or Right, in a War with Iran
The foreign-policy analyst Karim Sadjadpour on what it would mean for the United States to pursue regime change in Iran, once again.
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The New Yorker
20h
The Iranians Waiting, and Even Hoping, for War
A war with the U.S. would be catastrophic for Iran. But some Iranians believe it may be the only way to topple the regime.
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The New Yorker
21h
Mitski’s New Album Is a Dark Ode to Isolation
On “Nothing’s About to Happen to Me,” a reclusive woman confronts the inhospitality of the world beyond her door.
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The New Yorker
yesterday
“What Does That Nature Say to You”: Don’t Meet the Parents
The South Korean director Hong Sangsoo finds high drama and philosophical insights in the chance encounter of a woman’s boyfriend with her family.
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The New Yorker
yesterday
The Right-Wing Nonprofit Serving A.I. Slop for America’s Birthday
PragerU, a fount of Judeo-Christian edutainment, is now a key partner in the Trump Administration’s “civic education” campaign.
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The New Yorker
yesterday
Daily Cartoon: Friday, February 27th
A drawing that riffs on the latest news and happenings.
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The New Yorker
yesterday
Two New Documentaries Are Haunted by Unsettling Natural Wonders
Gianfranco Rosi’s “Pompei: Below the Clouds” and Werner Herzog’s “Ghost Elephants” offer thrilling but troubled visions of a world in environmental fl
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The New Yorker
yesterday
Spring Culture Previews—What to Do, See, and Hear This Season
What’s new in theatre, movies, television, art, dance, classical, and contemporary music.
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The New Yorker
2/26/2026
The Timeless Provocations of “Wuthering Heights” (the Novel)
A great fuss surrounds Emerald Fennell’s anachronistic adaptation, but Emily Brontë’s ruthless text will always have the last word.
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The New Yorker
2/26/2026
The Media Merger You Should Actually Care About
An under-the-radar, Trump-approved deal could create a broadcasting behemoth that controls local news stations across more than forty states. Why do some
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The New Yorker
2/26/2026
“Hate Radio” Chucks the Transcript
A jolting play about the Rwandan genocide takes liberties in order to capture dark truths.
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The New Yorker
2/26/2026
Finishing School: The Moby-Dick Club
This year marks the hundred-and-seventy-fifth anniversary, or demisemiseptcentennial, of “Moby-Dick,” originally published in 1851. (Saving you the math.)
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The New Yorker
2/26/2026
Critics at Large Live: “Wuthering Heights” and Its Afterlives
Emerald Fennell’s brazen take on the classic has both exhilarated and infuriated viewers. What does an adaptation owe to its source material?
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The New Yorker
2/26/2026
Daily Cartoon: Thursday, February 26th
A drawing that riffs on the latest news and happenings.
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The New Yorker
2/26/2026
The Hidden History of Native American Enslavement
Indigenous slavery, which lasted for centuries, has gone by many names. A new public history project wants us to see it for what it was.
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The New Yorker
2/25/2026
How the Epstein Files Are Forcing a Reckoning with Power
Instead of providing closure, the release of thousands of documents has intensified the fear that the full truth may be unknowable—and that institutions
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The New Yorker
2/25/2026
Kash Patel Can’t Contain Himself
So much winning to enjoy.
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The New Yorker
2/25/2026
How Michael Pollan Expanded His Consciousness
The writer discusses a few of the works that influenced his new book, “A World Appears.”
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